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William-Adolphe Bouguereau

William-Adolphe Bouguereau (French pronunciation: ​[wijam.adɔlf buɡ(ə)ʁo]; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. 

Enjoy a few of his paintings below!

Frederic Leighton, 1st Baron Leighton

Frederic Leighton, 1st Baron Leighton, PRA (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was an English painter and sculptor. His works depicted historical, biblical, and classical subject matter. Leighton was bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct upon his death.

Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton. He had two sisters including Alexandra who was Robert Browning's biographer. He was educated at University College School, London. He then received his artistic training on the European continent, first from Eduard von Steinle and then from Giovanni Costa. At age 17, in the summer of 1847, he met the philosopher Arthur Schopenhauer in Frankfurt and painted his portrait, in graphite and gouache on paper—the only known full-length study of Schopenhauer done from life. When he was 24 he was in Florence; he studied at the Accademia di Belle Arti, and painted the procession of the Cimabue Madonna through the Borgo Allegri. From 1855 to 1859 he lived in Paris, where he met Ingres, Delacroix, Corot and Millet.

Hans Zaatzka

Hans Zatzka was born on 8 March 1859 in Vienna. His father Bartholomaüs was a construction worker, and his mother was Marie Karpischek Zatzka.[6] Between 1877 and 1882, he studied at the Academie des Beaux-Arts,[2] under Christian Griepenkerl, Carl Wurzinger, and Karl von Blaas.[1] Zatzka was able to earn a living through the production of frescoes for churches and other institutions.  In 1885, Zatzka was commissioned to create the ceiling fresco The Naiad of Baden at Kurhaus Baden.

Many of Zatzka's works were religious paintings and altar pieces dedicated to various churches in Austria. However, he is more known for his paintings of women, fairies, and other fantastical scenes. Often, he would draw inspiration from the works of Richard Wagner and the fairy tales of the Brothers Grimm.  In the late 19th and early 20th century, several pieces by Zatzka were photographed and made into commercial and collectable postcards.  During the 1920s, Zatzka's style became the decor of choice throughout Europe. In addition, the previous thirty years held a resurgence for Zatzka.

Currently, most of Zatzka's paintings reside in private collections.